It was a crisp, clear night, the kind that beckoned me outside to photograph the moon in the hopes of capturing anomalous structures on the lunar surface. I was outside, my Nikon P900 camera precisely mounted on my tripod, diligently taking a series of photographs of the moon. My primary goal, as it had been for months, was to meticulously scan the lunar surface, hoping against hope to capture any anomalous structures that might hint at something beyond the natural, the expected. The following morning, as I meticulously reviewed the high-resolution images on my computer screen, pixel by painstaking pixel, a tiny anomaly caught my eye within the stark, cratered landscape. At first, it was just a faint speck, but as I zoomed in, sharpened the focus, and adjusted the contrast, a cold shock ran through me, followed by an exhilarating surge of adrenaline. There it stood, stark and undeniable: a colossal, perfectly upright rectangular monolith, its dark, featureless expanse absorbing the sparse lunar light. Its sheer, unblemished geometry screamed of design.
This wasn’t a trick of light, not a geological formation, not lunar pareidolia. It was clearly artificial. The object was immense, dwarfing nearby craters, its impossibly sharp edges slicing a long, inky shadow across the pockmarked lunar monolith, a testament to its imposing height and the low angle of the sun. The shadow itself was a dead giveaway — it was crisp, uniform, and utterly consistent with a towering, perfectly straight edifice. This was rather astonishing, a discovery that sent a shiver down my spine, for it reminded me very much of the infamous Phobos monolith, that equally enigmatic structure standing on one of the moons of Mars. The parallel was chilling, almost a cosmic signature. Could it be? Two moons, two colossal, deliberately placed monuments? The implications hit me like a physical blow. It would seem that sometime in the distant past, an unimaginably advanced intelligence had the ability to not only carve these huge megalithic structures but to transport or construct them, and erect them upright with such precision on distant celestial bodies. This is simply incredible, mind-boggling in its scope and mystery. Who possessed the unfathomable technology and resources to accomplish such a feat? An ancient, long-vanished precursor civilization from our own solar system? An interstellar beacon left by visitors from beyond our sun? A monument to a forgotten triumph or tragedy?
A silent, eternal sentinel? And for what profound purpose were these colossal sentinels erected? Are they markers, observatories, power conduits, or perhaps even warnings to those who might one day venture into the cosmos? The discovery has become an obsession. It’s a compelling, haunting mystery that fuels my nights. I continue to photograph the moon throughout its every phase, from slender crescent to luminous full, hoping to capture more of these incredible structures, to glean another clue, another fragment of truth about the silent, artificial giants that stand watch over our nearest celestial neighbor, whispering secrets of an unimaginable past. Check out the photographs and the enlargements and enhancements I made. This is incredible and clearly shows a carved stone monolith structure on the moon. If only NASA would focus on real anomalous megalithic structures like this that of been placed upright on the moon, but then again, that would be real scientific exploration and NASA is only there to cover up the truth and spread phony lies, like that of all the fake moon landings. The Photograph was taken at 10:16 PM on the ‎4th of ‎September ‎2025 from Devon, England. All the best John.
MY FRIEND JOHN MOONER IS THE CHIEF INVESTIGATOR FOR WORLD UFO PHOTOS AND NEWS.ORG. AND WORLD UFO PHOTOS.
 See Johns web site here >> John Mooner Ufologist
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